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Journal — reading the cultural index
The shelf of Mira

Mira Anand.

@mira.a · Reader · founding editor · London / Tokyo

A reader of slow novels and slower films. Currently keeping pathways through Tokyo, Hong Kong, and the literature of late-century Buenos Aires. Sits in Tokyo Slow on Sundays.

A reader since Spring MMXXIV In the reading room →
In the shelf 37 across four forms
Finished this year 18 novels · films · albums
Currently reading 6 five at once is too many
Pathways open 6 two near closing
Salons attended 14 since spring '24
Marginalia 6· underlined passages

“A city is, perhaps, only the sum of its corridors: the bits between the rooms where the real work of a life is done.”

— From the dispatch · № 014

The shelf.

I Novels 14of 14
Strange Weather in Tokyo Kawakami
Norwegian Wood Murakami
Tokyo Decadence Murakami R.
A Personal Matter Ōe
The Hour of the Star Lispector
Hopscotch Cortázar
Pedro Páramo Rulfo
South of the Border Murakami
Convenience Store Woman Murata
Lessons in Chemistry Garmus
Beloved Morrison
The Sympathizer Nguyen
The Empty Mirror v.d. Wetering
Notebook Krasznahorkai
II Films 12of 12
In the Mood for Love Wong
Chungking Express Wong
Tokyo Story Ozu
Burning Lee CD
Perfect Blue Kon
Before Sunrise Linklater
Drive My Car Hamaguchi
The Spirit of the Beehive Erice
Days of Heaven Malick
Mother Bong
Roma Cuarón
All About Lily Chou-Chou Iwai
III Albums 7of 7
Blue Mitchell
Pink Moon Drake
For Emma, Forever Ago Bon Iver
Stop Making Sense Demme
Yellow Submarine Sandwich Mitski
After the Gold Rush Young
Astral Weeks Morrison V.
IV Anime / Comics 4of 4
Persepolis 2.0 Satrapi
Solanin Asano
Suzume Shinkai
20th Century Boys Urasawa

Pathways followed.

6 routes · ordered by progress

Reading log.

Last 10 entries · 7 in salon
May 09 Strange Weather in Tokyo SalonTokyo Slow Salon
May 07 Pink Moon SoloListening Solo · 28m
May 05 Hopscotch SalonBoom letters Salon
May 02 Chungking Express SalonHong Kong neon Salon · 2h 14m
Apr 30 The Hour of the Star Solo Solo
Apr 28 Pink Moon SalonThe long album Salon
Apr 26 Norwegian Wood Solo Solo · 3h
Apr 24 Hopscotch SalonBoom letters Salon · 2h 02m
Apr 21 Strange Weather in Tokyo SalonTokyo Slow Salon
Apr 17 In the Mood for Love SalonHong Kong neon Salon

From the margins.

6 underlined passages · private to the shelf
In the Mood for Love · scene 18

“He remembers those vanished years. Looking through a dusty windowpane.”

Underlined May 09
Strange Weather in Tokyo · page 53

“The food does the emotional work. Every meal a confession.”

Underlined May 05
Pink Moon · side B, 0:34

“The piano is alone in the room. We are the room.”

Underlined May 02
Hopscotch · ch. 7 · the kiss

“Cortázar is not describing. He’s directing. An instruction manual for tenderness.”

Underlined Apr 24
The Hour of the Star · ch. 2

“A flower in the rain, opening because no one is watching.”

Underlined Apr 21
Norwegian Wood · page 211

“The corridor between two people who can almost, but not quite, traverse it.”

Underlined Apr 11

A shelf, kept quietly, in the corner of a larger room.

aravien.com/mira.a

An invitation to the room.

Aravien · reader card Vol. III · № 14 May 2026
M

Mira Anand.

@mira.a · London / Tokyo · since spring mmxxiv
Top five on the shelf
  1. In the Mood for LoveFilm
  2. Strange Weather in TokyoNovel
  3. Pink MoonAlbum
  4. HopscotchNovel
  5. Norwegian WoodNovel

“A city is, perhaps, only the sum of its corridors: the bits between the rooms where the real work of a life is done.”

aravien.com/mira.a Pull up a chair

Letters from the shelf.

3 dispatches
  • Letter № 01 · March 04, 2026
    First .letter

    On the embarrassment of keeping a shelf in public, and why I am going to do it anyway, for the next year, here in this room.

  • Letter № 02 · April 09, 2026
    On the .slow novel

    Why some books are read in sixteen sittings, and how that reading is a different act, with different weather, than the one we keep calling reading.

  • Letter № 03 · May 11, 2026
    On the .corridor scene

    Why one minute of In the Mood for Love contains the whole grammar of the film — and why I keep returning to it, every spring, for the last six years.

All letters →