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Aravien
Film · 1978

Drunken Master

Yuen Woo-ping

Poster
Drunken Master
No reliable artwork is available, so a format-specific fallback is used.

What this is doing

Keeps after-hours in play with a different film voice.

Drunken Master is a 1978 film from Hong Kong, associated with Yuen Woo-ping. It keeps a wider cinema field of scale, memory, and regional contrast in view without reducing the title to a bare metadata shell.

This work has been selected for the Aravien index based on editorial review.

Where this can take you

Open anchor Bicycle Thieves One clear continuation keeps the work in motion.

Connected works

Adjacent works by theme

Hold to the strongest shared themes before widening the route.

  • In the Mood for Love Film · Tonal line

    Keeps after-hours in play with a different film voice.

  • Tokyo Story Film · Tonal line

    Lets the after-hours thread settle into a deeper film form.

  • Yi Yi Film · Tonal line

    Lets the after-hours thread settle into a deeper film form.

Culturally relevant continuation

Let place, cultural memory, and context remain part of the route.

  • Hong Kong Region · Cultural line

    Hong Kong is held here as a threshold — a city whose cinema, popular music, and literature turn the feeling of impermanence into a working aesthetic rather than a backdrop.

  • Hong Kong: Culture and the Politics of Disappearance Essay · Cultural line

    Keeps the route inside hong kong as a lived cultural field rather than treating place as backdrop.

Trailer

Source

Drunken Master is a 1978 film from Hong Kong, associated with Yuen Woo-ping. It keeps a wider cinema field of scale, memory, and regional contrast in view without reducing the title to a bare metadata shell.

Selected for
cultural longevity · regional significance · editorial selection · thematic depth
Artwork
No reliable artwork is available, so a format-specific fallback is used.
Provider
editorial
Placement
Sensitive cultural and language lines stay qualified until they have authored support.
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