S-21: The Khmer Rouge Killing Machine (Rithy Panh, 2003 (Vietnam)) — a film that 2 pathways reach as a destination — converging on the lines of 'Reenactment as forensic memory', 'bodies remembering rooms'. This page is a cross-reference rather than an editorially curated pathway: it lists the works whose own pathways pass through S-21: The Khmer Rouge Killing Machine.